1984–1987
She began working with the companies Il Corpo e la Mente by L. De Fanti, Nouveau Théatre International by G. Notari in Venice, Roma Dance Studio Ballet by C. Venditti, and Est Balletto in Rovigo.
1987–1990
She joined the Teatro Nuovo in Turin under the artistic direction of L. Savignano, working with R. De Saa and M. Plà. She performed throughout Italy, Brazil, Korea, Switzerland, and Germany, interpreting Fille mal gardée, Schiaccianoci, Coppelia by R. De Saa, Carmen by O. Danovski, L’albero millenario by M. Pierin, Rapsodia in blu, La vedova allegra by B. Telloli, Paquita by N. Makarova, Musica sull’acqua by M. Morricone, Francesca da Rimini by P. Dobrievich, Face à face and Butterfly by P. Bortoluzzi, Sansone e Dalila by G. Yancu, Saudage by C. Perotti, Apollo by G. Balanchine, and Oltre by P. Goss. She danced alongside étoiles such as L. Savignano, M. Pierin, R. Paganini, G. Jancu, A. Razzi, J. Y. Lormeau, and P. Bortoluzzi. She also took part in numerous television broadcasts.
1990
She worked at the Stadttheater Bern under the direction of B. Steifel and participated in all productions of the season, including Coppelia, In your hands, and Good Times.
1991
She was engaged by Paolo Bortoluzzi at the Ballet de l’Opéra de Bordeaux (F), performing in all his choreographies: Carmina Burana, Quattro stagioni, Strauss, La belle et la bête, Nuit d’été, Soirée Tchaikovski, Formes, and Incontro. She also worked with T. Brandsen in Danse concertantes, D. Dunn in Pulcinella, R. North in Petrouchka and La Jeanne fille et la mort, Who cares? and Concerto barocco by G. Balanchine, Le sacre du printemps by E. Walter, Jet-lag jazz by G. D. Monica, Counterpoint-20 by M. Sappington, and Swing suite by C. Holder. She participated in the company’s tours in the United States and Italy.
1994–1995
Under the direction of Eric Vu An she danced Coppelia by E. Poliakow, Marco Polo by L. Cannito, Electra by J. C. Gil, and Don Chisciotte by E. Vu An.
1996–2004
Under the direction of Charles Jude she performed Giselle, Schiaccianoci, La bella addormentata, Coppelia, Il lago dei cigni, Le fils prodigue; Quattre temperaments by G. Balanchine, Le jardin aux lilas by A. Tudor, Petrouchka and Silfidi by M. Fokine, Raimonda and Paquita by M. Petipa, La fille mal gardée by J. Lazzini, Romeo e Giulietta by T. Harms, Hydrogen Jukebox by C. Carlson, and Danse de salon by C. Moser. She took part in all company tours in Japan, Italy, Spain, the United States, and France, performing alongside numerous international étoiles such as E. Platel, I. Guerin, M. Loudier, and A. Ferri.
2001
She obtained in Paris the state diploma as Professeur de danse from the French Ministry of National Education and is regularly invited to teach and choreograph classical dance workshops in Italy and abroad.
2006
Since 2006 she has been Artistic and Educational Director at BALLET SCHOOL A.S.D. in Pordenone. In parallel, she is regularly invited as an international guest teacher at masterclasses, workshops, and pre-professional and professional training programmes in Italy and abroad.
